Showing posts with label forgeries. Show all posts
Showing posts with label forgeries. Show all posts

Saturday, June 26, 2010

China's Sorrow...and the World's

I bring to your attention two recent articles regarding the current uptick in tomb robbing occurring these days in China. The first was written by Dr. Magnus Fiskesjo, an anthropology professor at Cornell University (and former Director of the Museum of Far Eastern Antiquities in Stockholm). It was published in the China Daily newspaper. The second is by Calum MacLeod, for USA Today. Both center around the recent discovery of the tomb of general Cao Cao, a famous historical figure who lived between AD 155-220, at the very beginning of the Three Kindgoms Period (AD 220-280).

Although the tomb was eventually excavated (read "salvaged") by archaeologists, according to one of the farmers turned collectors in Anyang province (in the vicinity of Cao Cao's tomb), quoted in MacLeod's article, "since 2007, five gangs have targeted the tomb, and the region's poverty is the main driver." Although many locals supplement their meager income with selling field finds (usually obtained by less drastic means than the combination of metal detecting, bulldozing, mobile phone photography, "feng shue" divination and "traditional archaeological techniques" increasingly favoured by the organized tomb raiding teams), the articles stress that at least a few small-scale local collectors who might otherwise wish to see museums built to curate their artifacts are increasingly afraid of draconian penalties.

Both articles stress what is lost in terms of context and more specialized archaeological knowledge when a tomb is ripped open in search of artifacts. Importantly, however, Dr. Fiskesjo stresses that the majority of the blame should not lie at the feet of local looters or even local middle-men (beyond devising more appropriate punishments to act as deterrents as much as possible...certainly not the death penalty). Rather, the urban dealers and private collectors in China and abroad are assigned most of the blame; rightfully so, in my and the author's opinions.

The articles bolster this sentiment by pointing out that urban dealers and collectors in China are encouraged to only accept "the real deal" by such pop-cultural phenomena as antique shopping shows and game shows with content and discussion of antiquities far removed from the on the ground realities of looting. Indeed, MacLeod's points out how just how much "antiques have become the new currency of bribery" amongst corrupt officials in China, notes collector Hu Wengao (as quoted in MacLeod's article). This goes hand in hand with the rise of numerous "antiques malls" in Beijing, increasing export of rare pieces (or retention by corrupt local officials) and a thriving fakes industry, especially out of Hong Kong.

Banned under Mao in 1949 as "too capitalist," the MacLeod article notes that since the 1980's the "hobby" has been making a come back. However, the ideas proposed by Feskijo to use pop-culture as a force for good; something to remove the "lime light" that looting and collecting have been given in the local Chinese media, and expose the messy side of the trade to international collectors who might only see cleaned-up pieces online. To quote Fiskesjo "Alongside the antique shopping shows on TV, there could be programs that highlight this destruction. One could make arrested robbers walk the sites with reporters, under experts' guidance, and explain the damage they have done and reveal the names of persons who payed them to do it. Similar tell-all shows could be conducted with dealers who knowingly sell recently stolen items. One could interview collectors and ask them to reflect on the sad consequences of their activity."

While these seem like intriguing ideas in principle, I think it'd be rather difficult to actually arrange informants to interview or display to the public. However, if participation in such a program was implemented as a legal "community service" option, perhaps in exchange for a reduced fine, jail time, or a stay of execution, especially for those poor rural residents who might only be engaged in "subsistence digging," more of those convicted might try to arrange for it. Indeed, Fiskesjo concludes by noting that the shame itself could be a powerful deterrent, at least for locals (even urbanites who have yet to purchase and are simply not aware of how that shiny bronze object actually got into that gallery's window display). Shaming foreign (primarily Western) middle-men, collectors and dealers into giving up their hobby is another thing entirely.

The future of Chinese prehistoric and historic archaeology appears to be at a cross-roads, and as local and international archaeologists continue to collaborate in their race against time, they key here (as in Southeast Asia and everywhere else looting is felt...i.e. pretty much everywhere), is changing public attitudes. Easier said than done, but in my view, factually-grounded outreach can only be a force for good.

Thursday, May 20, 2010

Soo Tze Oriental Gallery: A small contribution from Tasmania?

Another gallery, dealing in a mixture of contemporary, recent historic, and ancient art and antiquities, has come to my attention as needing mention here; another member of the Southern Hemisphere (and more specifically, Australian) trading "scene." Soo Tze Oriental Galleries is currently based out of Hobart, Tasmania (since 2005), but previously operated out of a Melbourne shop since 1983, with an online presence since June, 2003. To quote from their online homepage, it "is now Australia's premier private gallery dealing in a broad range of Buddhist and related art and ethnographic materials from Tibet, Mongolia, Nepal, China, and Bhutan, in addition to works from the rest of Asia." Furthermore, they highlight the "broad time span" and "high quality" of their products, and the self-stated fact that "items from our inventory [are] now found in many of the best private collections, galleries and museums around the world."

All signs point to this dealer operating a very small enterprise, or at the very least running a very controlled on-line store, as only six categories of artifacts/contemporary art are listed, each with very few items on display at any one time. These categories are "sculptures," "paintings," "objets d'art" (i.e. "small functional and decorative items...dating from 1000BCE to the 19th century"), "rugs & textiles," and "Tsakali and miniature thangkas." Leaving aside those objects that are being sold as contemporary art, ethnographica, or recent pieces (very few of which have displayed provenance regardless....provenance DOES matter, even for recent acquisitions), I will now turn to those few pieces recognizable as suspect antiquities.

What first made me determined to report about this gallery is this vessel, said to come from the site of Ban Prasat, northeast Thailand. Nearly identical examples are also on display at the Phimai museum. As is all too common, no provenance information, collecting history, or even price, is given for this artifact on sale. Without holding it in my hands, determining its authenticity just from photographs is difficult, but the form, color, and shape all match... Other artifacts, like this "Liao Dynasty copper funerary mask," this "repousse copper Linga cover," c. 17th century Nepal (albeit with provenance stated as from a 1994 Christie's auction), or this fragment of "Yuan Dynasty silk," are all equally suspicious to me. Although China has long been known for a thriving fake antiquities industry, most dealers naturally try to do their best, and stake their reputations, on the fact that they only offer genuine artifacts to the best of their knowledge. The fact that no prices are given, to me, points to even more suspicious dealings...artifacts, albeit in small quantities, bought and sold for a select group of favourite customers perhaps?

The burden of proof is now on Soo Tze Oriental Gallery to either provide evidence that due diligence has been conducted on these objects (and, ideally, make this information available as part of the listing for each artifact offered), or admit that they haven't, and remove from sale anything demonstrated to be a forgery or a recently surfaced artifact. If they can't and won't comply with these basic ethical standards to foster a licit and non-destructive trade, preferring to continue with business-as-usual, then they will be further exposed as such.